About Us
|
our missionLaunched in 2016, The Sol Project is a national theater initiative dedicated to producing the work of Latiné artists in New York City and beyond.
Guided by the values of joy, rigor and generosity, The Sol Project works in partnership with leading theaters around the country to amplify Latiné voices and build artistic homes for artists of color. Through the writers we champion, The Sol Project aspires to create a bold, powerful, and kaleidoscopic body of work for the new American theater. |
OUR MODEL
The Sol Project works to fortify a national theater movement that brings Latiné playwrights and their stories to the forefront of the American theater.
The Sol Project pairs 12 Latiné playwrights, at various career stages, with 12 leading national theaters to support meaningful productions of each playwright’s work (one playwright, to one company). In tandem, The Sol Project cultivates national partnerships with theaters across the country to provide additional platforms of support for these and other Latiné playwrights through readings, workshops, and/or productions. As of 2022, The Sol Project has championed six writers – Hilary Bettis, Martín Zimmerman, Luis Alfaro, Charise Castro Smith, Noah Diaz, and Mara Vélez Meléndez – with four New York productions and two national productions.
As a part of their partnership with The Sol Project, all our partners also agree to commission a new play by a Latiné playwright for future production, ensuring that we are seeding the field with fresh work by Latiné voices.
Once all 12 writers have been produced, the work of The Sol Project will formally conclude. We hope the 12 productions, in tandem with the work done by our national partners, will catalyze systemic change, instigate lasting creative partnerships, and inspire collective impact across the artistic landscape.
The Sol Project pairs 12 Latiné playwrights, at various career stages, with 12 leading national theaters to support meaningful productions of each playwright’s work (one playwright, to one company). In tandem, The Sol Project cultivates national partnerships with theaters across the country to provide additional platforms of support for these and other Latiné playwrights through readings, workshops, and/or productions. As of 2022, The Sol Project has championed six writers – Hilary Bettis, Martín Zimmerman, Luis Alfaro, Charise Castro Smith, Noah Diaz, and Mara Vélez Meléndez – with four New York productions and two national productions.
As a part of their partnership with The Sol Project, all our partners also agree to commission a new play by a Latiné playwright for future production, ensuring that we are seeding the field with fresh work by Latiné voices.
Once all 12 writers have been produced, the work of The Sol Project will formally conclude. We hope the 12 productions, in tandem with the work done by our national partners, will catalyze systemic change, instigate lasting creative partnerships, and inspire collective impact across the artistic landscape.
OUR PILLARS
To fortify a national theater movement that brings Latiné playwrights and their stories to the forefront of American theater, The Sol Project’s four operating pillars are central to all our collaborations. Our hope is that they become part of the DNA of each of our theater company partners:
Equity and Racial Justice
Critical to The Sol Project's success is the selection of partners who share our passionate belief that the American theater should be a space that holds all our stories; Our partners understand that, to realize this long-term goal, we must dismantle the systems that perpetuate racism and white supremacy and stand ready do this urgent work. The Sol Project is motivated and sustained by the unique strengths that emerge from our powerful, carefully constructed alliances.
Inclusion
The Sol Project aims to create opportunities that launch and maintain influential boundary-breaking careers in the American theater. In addition to Latiné playwrights, The Sol Project advocates for other artists of color in assembling creative teams for each production in which we are involved. We also call for casts to be primarily Latiné and/or people of color, and we nurture a growing network of directors, designers, stage managers, producers, dramaturgs, technicians and other creative talent.
Artistic Engagement
The Sol Project works nimbly and respectfully with each of our writers and partners throughout all aspects of our productions to achieve a shared vision. As cultural translators, representatives from The Sol Project ensure that the initiative’s guiding principles (“Our Pillars”) are consistently and comprehensively integrated into each stage of the creative process – from pre-production to marketing; we add value and expertise that deliver authentic and meaningful experiences for both artists and audiences.
Cultural Legacy
We aspire to make a lasting impact by radically shifting the frequency with which Latiné playwrights are produced on the country’s most visible stages. We will work with scholars, journalists and others to document the work of this historic initiative and the contributions of our collaborators, our artists, our organizations, and our communities. We will not rest until the American theater reflects the changing face of our country.
Who We Are
Photo Credit: Tammy Shell
The Sol Project’s artistic collective is composed of: Adriana Gaviria, Rebecca Martínez, David Mendizábal, Jacob Padrón, Julian Ramirez, and Laurie Woolery.
Our collective extends further to include: Isabel Pask (Producing Associate), Brian Herrera (Resident Scholar), Stephanie Ybarra (Resident Dramaturg) and our Founding and Advisory Circle members: Claudia Acosta, Elena Araoz and Kyoung Park.
Our Honorary Board includes Junot Díaz, Raúl Castillo, Priscilla Lopez, Sandra Marquez, Edward James Olmos, John Ortiz, Tony Plana, Chita Rivera, Diane Rodriguez, Rosalba Rolón and Daphne Rubin-Vega.
Our current partner theaters include: Atlantic Theater Company, Baltimore Center Stage, Berkeley Repertory Theatre, Cara Mía Theater Company, Center Theatre Group, LAByrinth Theater Company, New Georges, New York Theatre Workshop, MCC Theater, Playwrights Horizons, Pregones/PRTT, Rattlestick Playwrights Theater, SoHo Rep, The Playwrights Realm, The Public Theater, and Yale Repertory Theatre.
Our collective extends further to include: Isabel Pask (Producing Associate), Brian Herrera (Resident Scholar), Stephanie Ybarra (Resident Dramaturg) and our Founding and Advisory Circle members: Claudia Acosta, Elena Araoz and Kyoung Park.
Our Honorary Board includes Junot Díaz, Raúl Castillo, Priscilla Lopez, Sandra Marquez, Edward James Olmos, John Ortiz, Tony Plana, Chita Rivera, Diane Rodriguez, Rosalba Rolón and Daphne Rubin-Vega.
Our current partner theaters include: Atlantic Theater Company, Baltimore Center Stage, Berkeley Repertory Theatre, Cara Mía Theater Company, Center Theatre Group, LAByrinth Theater Company, New Georges, New York Theatre Workshop, MCC Theater, Playwrights Horizons, Pregones/PRTT, Rattlestick Playwrights Theater, SoHo Rep, The Playwrights Realm, The Public Theater, and Yale Repertory Theatre.
Our History
Padrón conceived The Sol Project after attending the 2013 Latinx Theater Commons (LTC) National Convening in Boston, a movement that aims to transform the narrative of the American theater by increasing presence of Latiné works. He realized that if true representation of Latiné Stories on America’s stages was to be possible and true, something needed to change locally first. Considering the credence many regional theaters give to the vibrant ecology of the New York theater scene, Padrón was driven to build this initiative in order to activate and unite the historically bifurcated Latiné theater community in New York with the ultimate goal of inciting change nationwide. Inspired by the playwrights’ collective 13P, Padrón devised a model for a highly visible platform for Latiné playwrights in New York City and beyond.
A group of Latinx theater artists and scholars gather for a day-long meeting to discuss The Sol Project in August 2014 in New York. (LTC)
In August 2014, the LTC hosted a day-long meeting for leading New York City Latiné theater artists and scholars. The insight gained from this gathering nurtured the development of The Sol Project and the goal to work towards gathering the collective wisdom of the community to answer the question: What does the Latiné theater community in New York City need in order to continue growing and expanding?
After its jumpstart, the conversation and planning for The Sol Project continued. By December 2014, a New York City-based artistic collective assembled to begin building and bringing the initiative to fruition.
The Sol Project officially launched its initiative in May 2016 with the announcement of the Project’s first production and inaugural theater partnership- the world premiere of Hilary Bettis’ “Alligator”, directed by Elena Araoz at New Georges Theater in November 2016. This production coincided with the 2016 Latinx Theatre Commons NYC Convening in December, hosted by The Public Theater, Sol’s third producing partner for Luis Alfaro’s “Oedipus El Rey”. We are currently collaborating with SoHo Repertory Theatre to produce the world premiere of Mara Vélez Meléndez's "Notes On Killing Seven Oversight, Management, and Economic Stability Board Members" in Spring 2022.
