
SOL 11:
CUSI CRAM
BLANCA & INES
by Cusi Cram
directed by Estefanía Fadul
with
Silvia Dionicio
Ani Mesa-Perez
production manager: Kia Rogers
scenic design consultant: Ningning Yang
lighting design: Jen Leno
sound design consultant: Melisa McGregor
intimacy coordinator: Fay Simpson
production stage manager: Bleu Zephra Santiago
asst. stage manager: Tiffany M. Tan

BLANCA & INES

The Playwright:
Cusi Cram
Cusi Cram is a first-generation native New Yorker whose parents emigrated from Bolivia and Scotland. She is a playwright, screenwriter, filmmaker, educator, performer, and passionate advocate for under-represented artists. Cusi’s work often explores the challenges of forging an authentic self in a society that benefits from conformity and uniformity. Spanning many forms and genres, her writing is grounded in deep emotional honesty, a love of the absurd, and a fervent belief that hope is our way through the never-ending chaos of being human. Some of Cusi’s notable plays include "Novenas for a Lost Hospital" (Rattlestick), "The Complicated," "Radiance," "All the Bad Things" (LAByrinth Theater Company), "A Lifetime Burning" (Primary Stages), "Dusty and the Big Bad Worlds" (Denver Center for the Performing Arts), "Lucy and the Conquest" (Williamstown Theatre Festival), "Fuente Ovejuna: A Disloyal Adaptation" (Princeton’s Lewis Center for the Arts), "Fuente" (Barrington Stage), "Landlocked and The End of It All" (South Coast Repertory’s Hispanic Playwrights Project), and "Camp Kappawanna" (Atlantic Theater Company). Her work has also been produced and supported by Ensemble Studio Theater, Cornerstone Theater Company, New Georges, Powerhouse Theater, The O’Neill Theater Center, The Sloan, Bogliasco, and Camargo Foundations, Space on Ryder Farm, MacDowell, The Herrick Foundation, The Fornés Institute, The Ford Foundation, The Church, NYU’s Global Research Institute in Madrid, and the Venturous and Stillpoint Funds—in addition to many universities and theaters, large and petite, across the country. Cusi wrote for many years on the PBS children’s program "Arthur," for which she received three Emmy nominations. She also worked for several seasons as a writer on Showtime’s "The Big C," starring Laura Linney. In addition, she has written for television programs for both children and adults that have aired on Amazon, PBS, and the BBC. She directed her first film, "Wild and Precious," through AFI’s Directing Workshop for Women, where it won the Adrienne Shelly and Nancy Malone Awards and screened at over twenty festivals nationwide. She recently directed a dystopian feminist short film produced by the Moonshot Collective. Cusi often uses New York City as both a stage and a source of historical inspiration. She has created two dramatic walking tours supported by the Ford Foundation and Rattlestick. She is a 2018 recipient of a NYSCA commission for her play "Novenas for a Lost Hospital," which explored the long and notable history of St Vincent’s Hospital in Greenwich Village. She is currently developing an immersive theater piece inspired by New York’s 1975 fiscal crisis. Cusi is a proud member of LAByrinth Theater Company and serves on the board of the Leah Ryan Fund. She is a former board member of Rattlestick Theater and the Lilly Awards, and is currently the Associate Chair of the Department of Dramatic Writing at NYU Tisch School of the Arts.

The Play:
Blanca & Ines
Two young Latinas lock eyes at a Greenwich Village party in 1954—and the world tilts. Blanca is a razor-sharp bartender who’s weary of struggling to be a painter and is looking for a ring and a powerful man. Ines is a Cuban seamstress with an open heart and big artistic dreams. What begins as flirtation becomes a doomed duet—mentorship, rivalry, and seduction ensue—all played out in Greenwich Village in the cold water flats and ateliers where post war American art is being invented.
"Blanca & Ines" is an unsentimental love story about women who want everything- and the cost of ambition in a world that fears women’s talents and desires. It asks how art gets made, who is allowed to make it, and what women sacrifice to be seen.

The Director:
Estefanía Fadul
Estefanía Fadul is a Brooklyn-based Colombian-American director, and co-Artistic Director of Ensemble Studio Theatre. Recent projects A Bodega Princess Remembers by Iraisa Ann Reilly at EST, the world premieres of Eva Luna by Caridad Svich (Repertorio Español), The Garbologists by Lindsay Joelle (Philadelphia Theater Company), Carla’s Quince created with The Voting Project (Drama League Award nomination), Zoom Intervention by Noelle Viñas (Weston Playhouse, NYTimes Critics Pick), The Same Day by Stefan Ivanov (Sfumato Theatre, Bulgaria), and C. Quintana’s Azul (Southern Rep) and Scissoring (INTAR). Estefanía has developed new work off-Broadway and regionally at the Public Theater, Playwrights’ Realm, NYTW, Chautauqua, Audible, Goodspeed, Juilliard, and more. She is the inaugural recipient of New York Stage and Film’s Pfaelzer Award, and an alumna of directing fellowships at Clubbed Thumb, the Drama League, O’Neill/NNPN, Williamstown, and Repertorio Español. She serves on the Drama League’s Board of Directors, and is a member of the Leadership Circle of the Center for Performance and Civic Practice, the Latinx Theatre Commons advisory committee, the Lincoln Center Directors Lab, and SDC.

The Partner:
LAByrinth Theater Company
LAByrinth Theater Company, founded in 1992 as The Latino Actors Base, was created to deliberately interrupt the racial status quo by giving voice to artists of color and reflecting a world where color is the norm and not the exception. LAByrinth Theater Company is a diverse, impassioned, tightly knit ensemble of multicultural artists that empowers individuals and builds community by creating member driven, incendiary, new works of theater. Read more at: www.labtheater.org
Highlights